Japanese Prints: From The Early Masters To The Modern
Museum collections. The present collection appears to contain several. For some years Print 82, which also reached America via Frank Lloyd Wright, was suspected of belonging to this notorious group of forgeries, and some critics challenged it. About thirty years ago the print was sent to Japan for authentication, and critics there not only accepted it but proudly reproduced it in Ukiyo-e taika shusei as an example of Toyonobu at his best. Even so, I had doubts about its validity and took the.
Two panels, Prints 255-56, from one of the most profound works of art produced in Japan in this century, and certainly one which has received more international acclaim than most. In 1939, Munakata Shiko, one of Japan's most distinguished print artists and a man of abounding vitality, issued a series of towering sumizuri-e titled The Ten Great Disciples of Buddha, including the ten disciples and two bodhisattvas. These twelve dynamic prints have won numerous awards in exhibitions throughout the.
Spots, toned). From Chandler. Urushi-e: 2 colors by hand. 69.5 X 16.1. 78. GIRL WITH UMBRELLA. 1740's. She is dressed in a raincape and high clogs, and is closing or opening her umbrella. Signature and publisher the same as for No. 74. Condition fair (water stains, folds). From Chandler; Ficke; Hakone sale, 1919; Bullier. In Ficke cat., 1925, No. 20; Hakone sale, 1919, No. 6; UT III, 11; UTS IV, part 2, 20; V&I, I, 212. Urushi-e: 3 colors by hand. 70 X 15.6. 79. GIRL WITH LANTERN AND FAN.
No. 167. Condition good (rubbed; patched hole on right shoulder). From Chandler, Straus-Negbaur, Wakai. In Frankfurt, No. 212; Kurth, Sharaku, p. 170; Straus-Negbaur, Pl. 32; UT VIII, 39 (rephotographed after Straus-Negbaur); Kunstwanderer, p. 469. Nishiki-e: 4 colors, gray mica. 37.7 X 25. 170. SAWAMURA SŌJŪRŌ III. 1794. The actor appears in the role of the samurai Ōgishi Kurando from the same drama as No. 169. Signature & seals: same as No. 167. Condition good (holes; stains and fading at.
265(n.112); seealso uki-e. Pl. 9, 52, 112 Picasso, Pablo, 217, 218, 219 Platonic concept, 15-20 poems on ukiyo-e, 252. Pl. 10, 33, 98, 100 et al. Pollock, Jackson, 219 portraiture io ukiyo-e, 90, 91, 114, 168, 177, 192, 200, 267, Pl. 137-38, 167 et al. prices, various sales, 151 primitives; see early prints printing processes, 254 provenance, 253 publication, prior, of prints, 253 publishers' names and inscriptions, 252-53 rain, depiction of, 208. Pl. 87, 125, 154, 198, 200, 221, 228.