Every age and every culture has relied on the incorporation of mathematics in their works of architecture to imbue the built environment with meaning and order. Mathematics is also central to the production of architecture, to its methods of measurement, fabrication and analysis. This two-volume edited collection presents a detailed portrait of the ways in which two seemingly different disciplines are interconnected. Over almost 100 chapters it illustrates and examines the relationship between architecture and mathematics...

Combination of reason, tradition and aesthetics. The Masters of Engineering While classical Greek mathematicians generally had a strong distaste for the application of mathematics (except on metaphysical topics), the Romans held just the opposite view. They viewed mathematics not as an end unto itself but as a means of engineering. This would mean that rigorous mathematics (such as Euclid’s Elements, for example) would be all but abandoned in classical Rome. The role of mathematics in.

(Fig. 7.3).25 The instructions for the ritual called stretching-the-cord were well known to the chief lector priest and scribe of the god’s books mentioned in Kheperkare’s inscription. The god’s book was where those instructions had been recorded for time immemorial: at the time of first occurrences in the dawn of Egypt’s history. They had been established in the archaic time of the first architects, the “old ones who invented this art that has its origins in the square and the measure”. 24.

Religion and politics. Pyramids had a religious function related with the myth and the ritual expressions, traditions and ideology. These buildings were established as specific sacred spaces in order that the people could experience a powerful sacred event. The relationship between death, art, and the architecture is also evident (Matos Moctezuma 1981). Many ritual ceremonies take place on the top of the mountains or pyramids or on the platform-like steps. A pyramid was fundamentally a ceremonial.

The equivalence of numbers is found the Vedic literature of the period. For further examples, see Kak (1993). 17 The choice of 21 is supposedly symbolic. It is the sum of 12 months, 5 seasons, 3 worlds and the sun; or the three sets of rishis (or planets); or the sum of five elements (earth, water, fire, air, space), five breaths (prana, apana, vyana, udana, samana), five organs of cognition ( jnanednriyas), five organs of action (karmendriyas) and the inner ear (antakarana). 10 Geometry of.

Evident that the trees are set as boundaries, and that within them the regions are set where the eyes are to view. . .’ (Kent 1958: II, 275).9 The augur, it seems, established coordinates emanating from where he stood (with his staff, presumably, as the originating pole) to nominate objects which marked the limits of a templum or sacred site. Note also that the augur’s gaze or sighting (conspicio) takes in ‘temples and wild lands’ the open and continuous view of the horizon that seems to have.